C'est trop fatiguant d'être aimable. Watercolor on paper 2015.
Blythe
Smith: Out of Bounds 2–20 September 2015
Rööperin taidesalonki gallery
The Finnish
art scene relies on distorted values, just like society. Out of Bounds, an exhibition by visual artist Blythe Smith, shows
why and how.
My works shed light on the normative webs and networks people and artists weave
for themselves and each other. The exhibition’s themes cover detachment and
alienation. Abnormality and disconnection. Power and categories.
Who is inside the groups and who is outside – who
falls outside of them unwillingly and who wishes to remain outside? Is the
viewer/experiencer of a work of art an outsider? Are the characters in my works
the outsiders – mere objects that only exist through the gaze of the viewers
and experiencers? What is the relationship between the characters; what is
their relationship with the community they are supposed to belong to? Who has
the control – who is being controlled? Is anything the way it looks like?
It is by no means unusual in art that norms are broken.
Artists strive to break them consciously: questioning, innovating and
discovering new things – disturbing, stirring up, seeking attention – these are
in focus in modern art, in today’s art.
It is said that art should be a thorn in the flesh of
society. But is it allowed, even in art, to break all the norms? A mere scratch
of the surface is enough to reveal unwritten rules and hidden norms that you
cannot touch if you wish to gain success as an artist.
Many artists silently criticize, for example, the cult
of the Artist Person that prevails on the Finnish art scene; yet, many of them
are happy to kiss the rings of those on the pedestal – and, whilst doing so,
they approve of the whole system.
Networking, various tips for gaining prominence, and profit-seeking
contact building are only criticized rarely. Even in art studies, the benefits
of networking seem to be the main focus. What is more important than artistic
work is a loud and blatant omnipresence.
Even those artists that feel networking and the
requirement to be constantly present and available are agonising, often content
themselves with saying that ”that’s the zeitgeist” or ”that’s just part of the
reality of the art scene today”. Cocktail parties and publicity stunts are more
important than independent hard work.
This is fully understandable. Competition is tough.
Visibility in the art scene is limited – and whenever there is some, it often
lasts for a very short time and remains painfully narrow. The fifteen minutes
of fame have been reduced to seconds in the stream of ever flowing tweets.
And yet visibility is needed: all art must be
relational in order to be art. Art needs relations and experiencers, in order
to qualify as art. Nobody can see what I’m doing when I’m painting in the
corner of my studio, unless I make myself and my art visible. Constantly. All
the time.
Out of
Bounds explores the individual and groups, relations and
non-relations. Power and powerlessness. What happens when you struggle not to
comply with the norms – so much so that you may end up doing it in a normative way?
Blythe Smith
lyontivirhe.blogspot.fi
https://vimeo.com/user24166843 - Blythe Smith on vimeo
Twitter: twitter.com/BlythexSmith
You can also find me on Facebook (Blythe Smith) and
Instagram (malluvain)
Out of
Bounds 2–20 September 2015
Rööperin taidesalonki
Iso
Roobertinkatu 29
Open
Wed–Fri 13:00–18:00
Sat–Sun 13:00–16:00
Vernissage
1 September 17:00–19:00
|
tiistai 11. elokuuta 2015
Blythe Smith: Out of Bounds 2–20 September 2015
Tilaa:
Lähetä kommentteja (Atom)
Ei kommentteja:
Lähetä kommentti